Circling back to a middle school girl´s apotheosis, if we can call it that, in Otorimonogatari, and the mortal threat it poses to the hero and his girl, this ´´Season Two´´ finale is narrated, for the first time in the series, by a grown-up-but if the word conjures a sense of reliability, of stability and certainty to you, dear reader, then the lesson to take home from this is to trust no one. Because the teller of the tale, who has been summoned by the heroine to defuse the situation, despite having been her nemesis since the very outset of the series, is-in the absence of the equally shady adult, Oshino, who at least was an expert-none other than his college frenemy, the fake ghostbuster who doesn´t believe in ghosts, the shameless swindler Deishu Kaiki. And it is indeed a con that he agrees to perpetrate, uncharacteristically pro bono, on a wrathful god-a mythic undertaking if true, which it may be, when a liar among liars holds that his story, like any other, is all a lie. But maybe not, when a man who claims to be wise in the ways of the world sounds just as self-conscious as his adolescent counterparts or a Russian anti-hero.
The #1 New York Times Bestseller ´Walter Isaacson is not an art historian, he´s simply a lover of Leonardo, who manages to communicate the sheer joy of this remarkable man´ Books of the Year - The Times ´Walter Isaacson keeps the mortal man to the fore. For all his supernatural gifts as an artist and natural scientist. Leonardo was resolutely human (illegitimate, vegan, in need of patrons) rather than the near deity of legend. Isaacson is an assured guide to Leonardo´s fallibility - so many projects started, so few completed - as well as his extraordinary curiosity and his even more remarkable painterly skills that were sharpened by intense observation.´ Michael Prodger, Books of the Year - The Sunday Times ´Infinitely curious, easily distracted, vain and vegetarian, Leonardo is brought to vivid life in this accomplished biography.´ - The Sunday Times . ´an illuminating guide to the output of one of the last millennium´s greatest minds.´ - The Observer ´Isaacson doesn´t claim to make any fresh discoveries, but his book is intelligently organised, simply written and beautifully illustrated.´ Book of the Day, The Guardian . ´Isaacson´s scholarship is impressive-he cites not only primary sources but secondary materials by art critics, essayists, and da Vinci´s other biographers. This is a monumental tribute to a titanic figure.´ - Publisher´s Weekly ´´A powerful story of an exhilarating mind and life...a study in creativity: how to define it, how to achieve it.´´- The New Yorker ´´Vigorous, insightful.´´- The Washington Post ´´A masterpiece.´´- San Francisco Chronicle ´´Luminous.´´- The Daily Beast ´To read this magnificent biography of Leonardo da Vinci is to take a tour through the life and works of one of the most extraordinary human beings of all time in the company of the most engaging, informed, and insightful guide imaginable. Walter Isaacson is at once a true scholar and a spellbinding writer. And what a wealth of lessons there are to be learned in these pages.´ David McCullough The creator of Salvator Mundi (Saviour of the World) officially sold at auction in New York in November 2017 for the record-breaking sum of £341 million. He was history´s most creative genius. What secrets can he teach us? Based on thousands of pages from Leonardo´s astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo´s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa . But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry . His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man , made him history´s most creative genius. His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history´s most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper . Isaacson also describes how Leonard