(2000 ´Delmark´) (68:48/14) Gutes neues Album der starken Sängerin, die sich diesmal neben klassischen Bluesthemen z.B. auch ´Nutbush City Limits´, bekannt von Tina Turner, vorgenommen hat / fine new effort from this powerful singer. Besides her classic Chicago style blues you´ll also find songs like ´Nutbush City Limits´. ZORA YOUNG - voc, JAMES WHEELER - gtr, DANNY DREHER - gtr, KEN SAYDAK - pno, JOHNNY B. GAYDEN - bass, TIM AUSTIN - drums. Learned My Lesson is the celebration of Zora Young´s lifelong love affair with the blues.This is Zora´s first album on an established American label which is surprising since she is one of the most creative blues singers in Chicago. Zora was born in West Point, Mississippi and raised in Chicago where she grew up singing gospel music in a south side church. After years in the R&B ´´chittlin circuit´´, she switched to blues and since then has shared the stage with B.B. and Albert King, played the Chicago Blues Festival many times and tours Europe regularly. Zora´s voice ranges from a melancholy whisper to a rock ´n´ roll scream, and she will have you in her corner with one listen. With this album Zora Young has finally arrived to claim her rightful place as a contemporary blues powerhouse.
(2007/Halb 7 Records) 13 Tracks - Best of East German Psychobilly!
(2011/Halb 7 Records) 17 Tracks - Best of South German Psychobilly!
(2009/Halb 7 Records) 18 Tracks - Best of North German Neo Rockabilly und Psychobilly!
(2009/dandyland/cargo) 12 tracks Imagine the bastard offspring of Nick Cave and Leonard Cohen who had been taught to play by Johnny Cash and had spent his Summer afternoons receiving singing lessons from Jim Morrison fronting a 21st century hybrid of Lindisfarne and The Doors, and you´ll start to get the picture.
(2004 ´Delmark´) (66:30/13) In Mississippi geborene Sängerin, die heute zu den bekannteren Bluessängerinnen in Chicago zählt. Gutes Studioalbum / Born in Mississippi, Zora Young´s regarded one of the finest blues vocalists today in Chicago. Superb studio album. ZORA YOUNG - voc, PETE ALLEN - gtr, BOBBY DIRNINGER - pno/kbd, LEE CAIN - bass, KERMAN FRAZIER - drums, plus horns (2 tracks). Of her first Delmark CD Learned My Lesson (Delmark 748) Living Blues magazine said ´Her rough-edged croon can raise welts or love bumps. She has the versatility to strut comfortably from back-alley funk to uptown jump sophistication.´ Tore Up From The Floor Up features five original compositions, some choice covers and an interview. Guitarist Pete Allen provides most of the musical direction while The Chicago Horns provide support on ´Til The Fat Lady Sings´ and ´Ace Of Spades.´
(1995/Brill Tone) Original Brill Building recordings - 57 tracks (31 unreleased) with 12 page booklet. - Gerry Goffin and Carole King are always and rightfully described as the most popular and prolific songwriters of their era, the early Sixties. It was a golden age for minority sounds: the music of soulful, urban or black vocal groups, the best of whom Were perhaps the Shirelles and the Drifters, given material by writers and producers who were young, gifted and Jewish. Gerry Goffin was born in Queens, New York, on 11 February 1930. Although he started writing lyrics over his own one-dimensional melodies when he was eight, he became a qualified chemist before making a career of songwriting many years later. Carole King, née Klein, was born in Brooklyn on 9 February 1941. She started piano lessons at four, tutored by her school-teacher mother. Outgoing and determined, she had formed her own group, the CoSines, by the age of 14 and danced in the aisles at the Alan Freed rock´n´roll shows. By her mid-teens King was signed to ABC-Paramount Records. She then teamed up with Paul Simon to make demo records of other writers´ songs for Frankie Avalon, the Passions and the Fleetwoods. It was not a stunning beginning. At Queens College, however, the quiet lyricist who wrote terrible music crossed paths with the chirpy composer who wrote bad lyrics. Their musical collaboration grew into something more, and they married in 1958. It was Neil Sedaka who opened the door for Goffin and King to join Don Kirshner´s songwriting team at Aldon Music. By the end of 1960 they had written numerous songs but had met with little success. The news that producers Leiber and Stoller were looking for a follow-up single to the Drifters´ ´´Save The Last Dance For Me´´ changed all that. Goffin and King took demo singer Tony Orlando into the studio and cut four songs, including ´´Some Kind Of Wonderful´´ (which the Drifters actually used) and Will You Love Me Tomorrow´´. Arranged by Carole King and sung by the Shirelles, ´´Will You Love Me Tomorrow´´ gave the team their first and biggest hit song. It became a US Number 1 in early 1961 and reached Number 3 in the UK.
(2017/Ace) 28 tracks, 1950s, 12-seitiges Booklet mit detailliertem Begleittext zu jedem Song von Ian Saddler, plus viele seltene Photos und Label Abbildungen. - Folgel 19 der bei Sammlern sehr beliebten Reihe mit ausgesuchten R&B; Rock, Blues und Cajun-Tracks aus Louisiana. Fortsetzung der beliebten CD-Serie mit Fokus auf Louisiana und seine Rock’n’Roll und Blues-Szene in den 1950er Jahren – ein spannender Schmelztiegel, nicht nur wegen der französischen Einflüsse. Die Compilation wurde von Ian Saddler zusammengestellt, der sich hier Vintage R&B widmet. - Back in the early 50s manic Memphis DJ Dewey Phillips, the man who broke Elvis, called his radio show Red, Hot & Blue – a wonderfully descriptive title which aptly illustrates the contents of this CD, the 19th in the ´´By The Bayou” series and the sixth devoted to R&B. Whether from New Orleans in the east or Lake Charles in the west, whether fast and furious or slow and mournful, South Louisiana’s brand of R&B had a distinctive sound which influenced a whole generation of the state’s young rock’n’rollers, creating a blend which became known as swamp pop. Here – hidden amongst the red, hot and blue – can be heard the embryonic sounds of that music. As previously in the series, this CD contains a mix of the famous and the totally unknown, with offerings from Guitar Jr, Lonesome Sundown and Cookie & the Cupcakes, through cult names such as Left Hand Charlie, Charles Sheffield and Little Victor to artists for whom we don’t even have a name – each play a part in bringing you a package which runs the whole gamut of South Louisiana rhythm & blues. That embryonic swamp pop sound is typified by Guitar Jr’s ‘Family Rules’, a song still sung throughout South Louisiana and into S.E. Texas where the oil business took many of Cajun descent. It is artists of this background who keep R&B alive today, while it can be difficult to find black musicians who play this genre of music. A couple of years ago Louisiana R&B veteran Carol Fran took four of us out to find a Monday night jam session but discovered several of her old haunts closed down. Eventually she found a club with a jam going on. They were younger musicians not playing Carol’s kind of music but instantly recognised her, got her on stage and a good old R&B blast took place. With the dearth of this exciting music as a live entertainment, its preservation through the release of long-lost tracks gathers in importance. But, hold on, this ain’t no history lesson, this is rompin’, stompin’ music to be enjoyed – so crank up your hi-fi, slip this CD in your player, grab a glass of something you enjoy and let the bon temps roule. IAN SADDLER